"The Grace of Turning Back" at Beneath Ceaseless Skies

"The Grace of Turning Back," the final story of the Curse-Strewn World sequence, appears in Beneath Ceaseless Skies Issue #179, which can be read on the BCS website or in the Kindle store.

The Tynesi merchants, who traded everything from the silver rice of Timru and perfume leaves from Simrandu to chips of ivory off the Keld’s temples, had a term for a particular sort of improvidence: to throw money, time, or strength into seeing to completion a bargain they had already got the worse end of. It’s all After-Bad, they’d say.
A useful phrase. Aniver vaguely remembered his clearheaded pleasure at first learning it.
That pleasure blossoming within his soul had been sacrificed to fuel a magelight to chase away Semira’s nightmares as they approached the edge of the world. It hadn’t meant much to him, had not made up more than a candlelight’s worth of his being, but Aniver was down to the dregs of his power now. And he was draining those dregs, perhaps After-Bad, but he didn’t think they would do much good where he was going.

Has Aniver thrown so much of himself away After-Bad that he has nothing left for his last great spell, returning Nurathaipolis and her sister cities to their proper place in time? At what cost? Can Semira help him without losing herself, too?

You'll have to read to find out, but I will say writing the ending of this one had me tearing up more than once. Maybe because I'm sentimental, maybe because the Palisades Library (where my friend got me in Tuesday evenings for weekly writing parties) was very dry, who can say?

Also, [slight spoiler follows] for those of you curious to see how a Grace with six wings might look, this gorgeous piece by Rebecca Yanovska might help provide an idea. I didn't see it until I was into the editing process, but when I did I had that feeling of recognition.

I'm very grateful to Scott Andrews at Beneath Ceaseless Skies for publishing the Curse-Strewn World stories, and of course to all of you for reading along with them!

While "The Grace of Turning Back" brings Aniver and Semira's stories to a conclusion, it isn't necessarily the last we'll ever see of them. Two prequel pieces are in my drafts notebook--"The Queen of Yesterday," referenced in "The Storms in Arisbat," has an interesting tale to tell, and of course there's the story of how Aniver and Semira met in the first place on The Glass-Clear Sea.

I can't promise I'll be able to smuggle a secondary-world version of the Sunk Cost Fallacy into those, but I'll surely have fun trying.

"For Lost Time" up at Beneath Ceaseless Skies

Lose no time in going to check out the latest installment in Across the Curse-Strewn World, a short story sequence following the wizard Aniver and his friend Semira's quest to rescue his home city, which has somehow become lost in time.

Their discoveries in the terrifying library of Arisbat have pointed Aniver and Semira in the right direction, but what a direction it is--the source of the blight that struck Nurathaipolis appears to have come from the Kingdom of the Dead. Aniver's reckless plan requires that he scout out the territory first...

"For Lost Time" appears in Beneath Ceaseless Skies Issue #165, and can be read on the BCS website or on Kindle.

New Release: Different Dragons II

"Of the Generation" has been reprinted in WolfSinger Publication's Different Dragons II, a collection of cliche-busting dragon stories.

To celebrate the new release, WolfSinger is offering a 25% discount through Createspace-- follow the link and enter discount code TGERED9J at checkout. For those who prefer ebooks, the Smashwords coupon code ED26N will also give you a 25% discount at checkout. Both codes are valid only until October 15, so move quickly! 

The Ada Initiative and 'Citizen Editors'

It might be good for the world, though temporarily stressful for one’s marriage, to edit an anthology together, as Leonard and I discovered when we created and published our speculative fiction anthology Thoughtcrime Experiments together in 2009. Despite the risks, maybe you should become an editor. “Reader” and “writer” and “editor” are tags, not categories. If you love a subject, and you have some money and some time, you can haul under-appreciated work into wider discourse, curate it, and help it sing.  X

I appeared in Sumana Harihareswara’s Thoughtcrime Experiments anthology long before I ever thought of becoming an editor myself (in fact, the anthology was my first pro publication!), but her post today on the Ada Initiative and ideas for citizen editors* resounds even more with my added experience. While I'm not currently planning to publish a science fiction anthology, my work with self-published and indie authors has also made me think more about the responsibilities and potential of indie publishing. 

Harihareswara's post is rich with links to additional information for writers, editors, and fans, and closes with a call to support the Ada Initiative, a program to end harassment and make science fiction and technology communities a pleasure to participate in for all people. It's work that is incredibly important and tragically timely (to the point that I feel far more relieved that I should at not having attended many conventions this year, given the reports I've heard). I'm also reminded of one more initiative I’d like to boost visibility of: the BDG Editor-In-Training Program, which helps amplify the voices of editors who are queer and/or trans people of color by providing training and support in media and editing skills. In the words of Black Girl Dangerous, “Many of us who have the most to contribute to important conversations happening in indie media, including conversations on race, gender, queerness, economic injustice, disability justice, issues affecting youth, etc., have the least amount of access to the training, education and experience needed to be successful in contributing to and leading independent media movements.” 

Sometimes I’m brought up as an example of diversity in sci fi, for my gender, and while I appreciate people being excited for my inclusion (especially given all-too-recent incidents when no women at all were appearing in certain big genre anthologies**) it’s very important to remember I’m a cis, white woman—my challenges are minimal compared to many. 

This post is also fascinating in that I’ve learned today that not only do I share a table of contents with Hugo, Nebula, and World Fantasy Award-winning author Ken Liu (I knew that—I’ve been a low-level but genuine fan since reading ‘Single Bit Error’ in my own copy of Thoughtcrime Experiments), but that he credits his career to the publication that put us on that table of contents! 

*’citizen editor’ is a term I just made up without reference to any external source while trying to concisely compact the ideas of Harihareswara’s idea-rich post—like ‘citizen science’ but perhaps without the hierarchy. Citizen scientists are, after all, still limited by the technology and knowledge they have access to, making them helpful but in somewhat narrow roles of data collection and simple analysis. Citizen editors aren’t limited in that way at all. If you have some knowledge of how writers & writing work, and can figure out how to use Kindle and a POD printer, you have the primary resources to become a citizen editor all the way from acquisition of manuscripts through publishing and publicity.

**I don't think most people visiting my blog are interested in playing devil's advocate, but to make my point very clear, I do not claim that I specifically would be entitled to appear in any of those anthologies, especially not at that (very very early) point in my career. Women were robbed of a position on Mindblowing SF's TOC (and others), but I would not consider myself one of them. All the same, being a young writer at the time, I wasn't precisely discouraged, but was certainly frustrated to see that gender, along with race (if not in any way as straightforward as mustache-twirling misogyny and racism, through good-ol'-boys-club networking and perhaps simple myopia), was a thing that could count against people like me and writers I admired, even in the highest ranks of the field. Part of the reason I wasn't truly discouraged was that such discrimination felt more rarely encountered among the indie publications I still mostly publish with. Which I think goes to support Harihareswara's point. 

Fictionvale pub announcement!

My fantasy story "Eisiden's Sister" has appeared in Fictionvale's 4th episode.  The third published piece featuring swordsman Rathin and wizard Anweth, it actually takes place towards the end of their timeline--and features a major twist in their circumstances.

Also keep an eye out for my guest post on the Fictionvale blog early next week. It'll be a quick checklist to getting started publishing short fiction.

I'm glad of the opportunity to guest blog, not least because it encourages me to actually complete a post. I have a number of drafts on this blog (the specific number is 64), most of which are book reviews and writing advice. The reason I haven't had a lot of time to write advice for the general public is that I've been busy working with specific manuscripts! As I wrap up client projects, I'm seeking out more, but I'm also hoping for a little more downtime in which to write both fiction and nonfiction again. 

"The Witch Hunter's Account" in Nameless Magazine

Nameless Digest Issue #3 contains, among many other fine stories, my "Witch Hunter's Account."

Like "The Astrologer's Telling," published in Daily Science Fiction last month, "The Witch Hunter's Account" was inspired by one of Lovecraft's favorite authors, Arthur Machen, and is also a response to Lovecraftian cosmic horror, again with fewer tentacles and, I like to think, less xenophobia than Lovecraft. Hmm, actually, scratch that bit on the xenophobia (although I'm sure a conversation could get started on the refugee themes in "Astrologer's Telling." It may not have been a conscious screw-you to Lovecraft's intolerance, but I'd be tickled if people read it as such). No, Witch Hunters aren't exactly known for their open-armed acceptance of difference.

In "Harmony," a story published in Kaleidotrope Issue #8 some years back, I made my first attempt to hash out a dichotomy or Harmony/Discord--not good/evil or order/chaos, but rather permissive-of-life-as-we-know-it/utterly-inimical. It's not that Discord is objectively bad (there is no objectivity), it's just...very easily made uncomfortable for us squishy organic lifeforms. But even here it's not a clean cut. Because sometimes we want the rules of the universe to work differently, at least for a short while. A lot of the themes in "Harmony"--including the seductiveness of Discord and the "they who hunt monsters" elements hinted at beneath the surface--are further developed & examined in "The Witch Hunter's Account." Plus I got the chance to develop the culture of colonized, terraformed 31st century Mars, a place I certainly hope to return to with later stories.

An excerpt from "The Witch Hunter's Account":

Just before dawn—the dossier said she was an early riser—I drove up the cliff-hugging pink gravel road. The gates opened at my name although I knew I wasn't expected, and I parked in a courtyard shaded by some of the most luxurious growth I had seen on Mars. A housekeeper, dressed in smart black, was passing a sprinkler over a bed of poppies in the shade of a vast palm.     
"Go right in, Mr. Saye," she said. "The gate announced you. Ms Mao will see you in her study, right at the end of the hall."     
The inside of the house was as comfortable and modest as the exterior, though again overgrown by plants spilling from urns and troughs set before windows, on tables, and even directly on the plush burgundy carpet, staining it with water around their bases. The hall was permeated with an unnerving feeling of good health. I hurried to the door at the end of it, and it swung open at my touch. Also unnerving, the way every door and gate seemed to yield to me.    
 The study wall opposite the door was taken up by a vast window overlooking the sea. A pale Martian sunrise polished the waves, and it was a moment before I looked away from the sight to see the woman standing at a narrow bookcase.     
"Ms Mao?" I said.     
She turned to me, sliding a book back onto the shelf. Theophania Mao had a slender body and a round face, unlined save for softening wrinkles at the corners of her dark eyes. Her hair, onyx-black, hung to her chin in a style graceful in its plainness. Her long red dress was tailored in the fashion of a business suit.     
"Mr. Saye," she said, "would you like to sit down? And you would mind if I called you Jonathan?"     
Of course, she must have thought I was a client. A patient, I corrected myself—the file Edith Zann sent me said she didn't charge for her miracles.     
But she did call them "miracles." I took a seat with my back to the window.     
She pulled up a chair and sat across from me. "Can I get anything for you? Coffee? Wine? A glass of water?"    
 "No, thank you." I realized I still wore my hat and removed it, with a nod of apology, wondering what about this case was making me so nervous.    
 "Are you certain?"    
 She asked with such insistence that I said, "Water would be fine, thank you."     
She buzzed the order into her intercom with a small smile. The knotting in my gut unraveled, then rewound itself, as I considered her. She plainly enjoyed offering a helping hand, if only by offering refreshment to a stranger at her door. She had a generous spirit, the air of a person born for service. It disarmed me—while I knew some fell into Discord for noble reasons, it was academic knowledge; the only crusaders I had met were like Zann, on our side.    
 "I have something to ask you, Ms Mao," I said.     
She bent forward in her chair. "Yes?"     
"I want to know how you do your healing."     
Her eyes lowered, and she sat back like a reprimanded child. Her voice was firm but also apologetic as she said, "I can't teach you how to do it."     
I shook my head. "I don't need to know for myself, ma'am. I'm curious about your own method."    
 Her eyes narrowed. Anyone who might have taken her eagerness to help as a sign of weakness—or naïveté—would have been corrected by that look. "Why?"    
 "I have some interest in science," I said. "I'm slowly forming a theory of how things perceived as miraculous—like your healing or Miguel Chapman's levitation and walking on water—"  
 "Miguel Chapman's performances," she said, "are all charlatanism."       
"I'm not so sure, ma'am. Either way, I'd like to see examples of your work, and try to fit it into established science."

Where You Can Get the Starter Guide for Professional Writers

I'm happy to announce that The Starter Guide for Professional Writers is now available at most online retailers!

The Starter Guide for Professional Writers contains everything to know so that you can begin earning money for your writing. Ten chapters address every stage of writing, revising, releasing, and promoting your first (or second, or third) published story, including what you need to: 

• Defeat writer's block and finish your story 
• Revise to make the strongest manuscript possible  
• Find markets for your writing and keep track of your submissions 
• Concisely and engagingly describe your story to agents, editors, and readers 
• Query agents, submit to a small press, or self-publish 
• Avoid scammers disguised as agents and publishers 
• Advertise your work with everything from an author's website (and learn who actually reads your blog!) to promotional bookmarks with the help of a full marketing plan 

The Starter Guide offers an on-the-ground view of publishing and focuses on using inexpensive resources (after all, writers should make money off their writing, not pay for it!). Covering everything from how best to use a thesaurus to how to handle editor deadlines, its holistic perspective builds skills writers will use at every stage of their careers.

Throughout, I try to explain how things look from a complete beginner’s perspective, maintaining a conversational, and in places even humorous, style. I hope this holds your attention and keeps you from feeling overwhelmed by the sheer amount of stuff there is to know about publishing. Even I was surprised by how much I had to share once I started writing!

The paperback, printed through CreateSpace, and the Kindle version are available through Amazon and its international sites:
Amazon.com
Amazon.com (Print)
Amazon.co.uk
Amazon.ca
Amazon.com.au
Amazon.de 

For those of you resisting Amazon's creeping tyranny over the world--or who simply, like me, own a Nook--the Starter Guide is also at Barnes and Noble.

And in the iTunes bookstore!

You can download the ebook in virtually all formats directly from Smashwords, too.

Because Createspace gives a more generous royalty rate for direct purchases, I figured I'd pass some of that generosity on to you. If you pick up a copy of the Guide through the Createspace store, use the discount code A4ZBCGSH for $2.00 off the cover price.

I'm also offering ebook downloads of the Starter Guide as part of a gig on Fiverr.com--a great place to look if you're also interested in picking up my editorial services on the cheap!

The Guide is also on Goodreads and LibraryThing.

Smashwords will continue to distribute copies of the Guide to other retailers, and I intend to update this post as new links go live. If you've seen a link in the wild, or noticed one of the ones I've posted here isn't working anymore, please shoot me an email or let me know in the comments. Thanks so much!

Monday

The Starter Guide ebook rewards to my crowdfunding campaign supporters have been sent out! I expect to receive the proof print copy later this week and complete my spot-check for typos in a bout of feverish editing.

Speaking of feverish editing, I've been so wrapped up in the Guide and other projects that I missed the date when my story went live at the Lorelei Signal!

In the Lorelei Signal's Quarter 1 Issue, "In the Mirror" appears in print for the first time since its debut in Silver Blade magazine in 2009. I appear alongside a great TOC, including not least my sister Megan's "Between the Devil and the Deep Blue Sea." And check out the marvelous artwork by Marge Simon!




The combined content of the Lorelei Signal and Sorcerous Signals, WolfSinger's two online magazines, appear in print together in Mystic Signals, which is now available through the Createspace store.

"The Queen's Arrival" in Liquid Imagination, and a Christmas Gift Idea

My mythic fantasy piece "The Queen's Arrival" has been reprinted in Liquid Imagination Issue #19.

It's actually been up nearly a week, and I apologize for posting the link so late--though as you can see, things have been busy. I've only just got around to making my Christmas card & gift list and am starting to scrape together time, ideas, and money to fulfill it.

Speaking of which:

If you're lost on gift ideas for a writer in your life--surely they don't need another journal (that just means they have to start another story to put in it!)--consider getting them a manuscript edit, to be redeemed any time after Christmas!

Email me and we can arrange for a wordcount-based edit ($5/1000 words, or around $25 for a short story or up to $300-$400 for a novel), to be done on a piece of the recipient's choice. If you like I can even design a gift card for you to print out or email them.

I will be at my gentlest, yet nonetheless thorough, helping the writer develop their craft and their manuscript to the next level. It's a gift that will keep on giving!

The Starter Guide for Professional Writers should be released soon, but may not make it to wide distribution in time for Christmas. Meanwhile, if you're looking for books either as gifts or as ebooks to download onto your new E-Reader (guess what yours truly is getting!), I'd be eternally grateful if you checked out Aqua Vitae and other publications.